Video programming for premiere of Sleepless The Musical at the Troubadour Wembley Park theatre. Disguise/d3 server feeding nine LED wall and two front projection surfaces.
Video design by Ian William Galloway. Lead animation/illustration Barbora Šenoltová.
Video programming for Scottish Opera production of Nixon In China. Disguise/d3 server feeding front and overhead projection, mapping six movable shelves, and box set structure on revolve.
Video design by Will Duke. Associate video design by Hayley Egan. Directed by John Fulljames. Conducted by Joana Carneiro. Photo by James Glossop.
Video programming for production of Olga Neuwirth’s Orlando. Disguise/d3 server feeding front and rear projection and six movable LED panels.
Video design by Will Duke. Associate video design by Hayley Egan. Film and animation by Patryk Senwicki, Letty Fox, and Maria Luttikhuis.
Photo by Michael Pöhn/Vienna State Opera.
Disguise/d3 programming and projection design for production of Missy Mazzoli’s ‘Breaking the Waves’ adapted from the film by Lars von Trier with libretto by Royce Vavrek.
Video design by Will Duke. Directed by Tom Morris. Conducted by Stuart Stratford.
Disguise/d3 programming for David Hare’s modern adaptation of Ibsen’s ‘Peer Gynt’ at the Olivier Theatre in London.
Video design by Dick Straker. Directed by Jonathan Kent.
Photo by Manuel Harlan.
QLab programming and projection mapping for world premiere of Zadie Smith’s White Teeth adapted by Stephen Sharkey.
Video design by Lizzie Pocock. Directed by Indhu Rubasingham.
Disguise/d3 programming for three reconfigurable LED walls and projection. Performed at the Sheikh Jaber Al Ahmad Cultural Centre in Kuwait.
Video design by Dick Straker. Original d3 programming by Dan Trenchard.
Disguise/d3 programming for live arena stunt show featuring twenty-four output projection blend across floor and upstage wall. Integration with Blacktrax system for tracking of vehicles and Notch blocks for real-time generated particle effects.
Video design by Kate Dawkins Studio & dandelion & burdock.
QLab programming for onstage screens and LED display surtitles.
Video design by Robin Fisher. Directed by Ian Rickson.
QLab programming for projection blend on production of Sabrina Mahfouz’s ‘A History of Water in the Middle East’ at Royal Court Jerwood Theatre Upstairs.
Video design by Charli Davis. Directed by Steph O’Driscoll. Photo by Craig Sugden.